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Black Girl on the Front Row!

Tag: URBAN

MUSIC PREVIEW: ‘HANGIN’ WITH MR COOPER!’

The “Kensington Roof Gardens” are akin to an urban Eden.

I had the distinct fortune of visiting the rooftop hideaway, many moons ago, to partake of the most scintillating spoken word… assimilating every ardently-annunciated utterance, as the flora and fauna absorbed the excitedly-expelled carbon dioxide. I recall the burning sun receding into a see-through veil of dusk, yielding, only, to a blanket of deep, blue-velvet night. I yet decipher shadowy fronds, as face-paints, dancing upon the animated musculature of smiles… At such altitude, with no visible separation from the sky, it seemed as though the celestial had reclaimed the earthen territory…

…in readiness to, one day, welcome a soul-sentinel, by the name of John Paul Cooper.

He is human, yet he houses a falsetto, that is unquestionably real…Mortal, yet in possession of a glissando which glitters through a vocal range, not disimilar to the aurora borealis. His, is an authenticity of melodic articulation which, when harmonised with a pure palette of heartfelt emotion, sees something of the divine settle upon a crowd. From polished renditions of such classics as “I Wish I Didn’t Miss You”*, by the legendary Angie Stone, with whom he has just completed a celebrated UK tour, to the melifluous fervour of “The Only Reason”**, J.P. Cooper is a troubadour-of-truth from beyond the harbour of the clouds.

Fitting, then, that this Friday 16th May, The Roof Gardens should be the home to cradle this wonderfully humble and uniquely- purposed talent… Oh to be a fly, on the leaf of a wall, near the stage, to witness this down-to-earth superstar, from the stars…

‘T’would be a beatific blessing, indeed!

*”I Wish I Didn’t Miss You”: http://youtu.be/mOtgEf_ggLg (via YouTube) ~ **”The Only Reason”: http://youtu.be/GadLKCzw670 (via YouTube :Kevin Thomas)

 www.roofgardensclub.com ~ www.facebook.com/jpcoopermusic ~https://twitter.com/JPCooperMusic ~ www.jpcooper.bandcamp.com

(Join every platform, ‘like’ every profile…because you’ll love J.P. Cooper forever!xx)

©AFROW2014-2019 ALL RIGHTS RESERVED

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TWITTER-TESTIMONIAL FROM @JPCooperMusic!

‘Possibly the nicest thing anybody has ever said about me… Thankyou.. Beautifully written… xx’

MARSHALL GOES ‘FACE-TO-FACE’ WITH KATE, AT IMITATE MODERN!

Have you ever wondered what it might be like to be cradled in the arms of a rainbow?

If so, then you’ll find the answer ensconced within the arc-of-screenprints, in “40 A Kate Moss Retrospective”, by ultra-talented artist, Russell Marshall, currently showing at the enchanting ‘Imitate Modern’ art gallery!

On one level, your eyes race to absorb the high-definition, technicolour dreamscapes which coat the walls. Time flits by as fast as you can blink, whilst you remain transfixed by the neon shocks of sherbet-pink and acid-yellow, bouncing like laser-beams from a New Year’s Eve disco-ball! Quick-as-a-wink, you are compelled to follow the spectral-story wherever it leads and begin to register shades which resound like a chromatic scale… Prints in-the-key of shimmering-silver and incandescent-pearl are laden with outlines of indellible impressions…

Fully-acquainted with the cornucopia of exceptional colour-charts, you then begin to focus-pull onto the subsequent layer of visual stimulae, present in the undoubted recognition of, not only a face, but ‘The Face’ of Kate Moss, staring back, as if to guide you from one incarnation to another.

It is at this point, that your heart-rate evens out…

 The ‘pop’ which Russell has told me he would like the palette to have, has been achieved and so begins a new narrative, of taking a visual tour around Kate’s career, through the viewfinder of the former journalist and editor. The immediacy of being subjectively engaged at such a rapid rate, yields to a futher immersion, into a state of ‘objectivity’, yet it is neither stereotypically cold nor separate. It is, in fact, replete with a distinct clarity, founded in true warmth and admiration for a woman of real character, who has eclipsed the notion of ‘celebrity’ and, rather, redefined and revalued it. This facilitates a deeper connection to the potent colour-combinations, which serve to highlight the myriad facets to her own, vibrant personality. Furthermore, Russell’s editing sensibility is masterfully employed, in exhibiting specific screenprints which, at once, reveal the wide-eyed potential of a young girl, spotted at the age of 14, whilst also uncovering her scintillating, Bardot-èsque vulnerability, her ethereal elegance, swathed in full-length gowns and floral-sprays and an haute couture-regality, resplendent in Vivienne Westwood!

An added spin to the retrospective, it that of the journalistic element, for as the walls have Kate’s eyes, they also have her words! Quotes such as “Never complain, never explain” quietly indicate a certain pragmatism, whilst others celebrating the ‘girl-about-town’, like “I haven’t partied since last Friday”, positively scream from the rafters! Displayed alongside columns of biographical copy, by Amy Watts, the twist of presenting silk-screens, which constitute a statement as to the real definition of celebrity, in a 3-D newspaper format, is both witty and entirely evocative of the wondrous days of the old-fashioned handprinting-press! Encompassed by musical soundwaves dripping with Britpop, the White Stripes and Primal Scream, the audio-visual, launch-night mind-meld, completes the journey!

In essence, “4o A Kate Moss Retrospective” is a startling adventure with the ability to engage the viewer, by transporting them through the career life-cycle of a living legend. From the girl-next-door, whose diminutive stature should have ruled her out of the modelling industry, but which actually set her apart, to the celebrated Mother, Supermodel and Designer, Russell Marshall is a maestro of multi-dimensional expression. The single plane of a screen is doused in prismatic vibrance, which facilitates an optical appreciation of beautiful images…Yet, in accompanying them with written and quoted content, Kate’s joie-de-vivre becomes even more apparent. What with each of the ten works being a limited edition of one (the variations of which can be chosen from ten unique colourways), the concept of honouring individuality, is perpetuated. According to the artist, himself, there might even be a gentle ‘tap’ of the frame during its production, just to add a perfect imperfection, which is undetectable to the naked eye, of course, yet, intrinsically embedded within each wonderful work!

It is this eloquence of embracing the idiosyncratic and the courage to express it, which, almost a week after the private viewing, still echoes within. Whether or not you find yourself in the spotlight, the truth of who you really are, will always enable you to shine. Such an enduring and empowering message was shared by Russell Marshall on Kate Moss’s 40th birthday and I wholeheartedly encourage you to do the ‘grand tour’ for yourself, because the writing’s on the wall… this incredible show is an undeniable hit!

“40 A KATE MOSS RETROSPECTIVE” RUNS FROM: 17TH JANUARY > 15TH FEBRUARY 2014 AT: IMITATE MODERN, 27A DEVONSHIRE STREET, LONDON, W1G 6PN ~ MON>FRI: 10a.m > 6p.m ~ FREE!

www.imitatemodern.com ~ www.beautifulcrime.com

©AFROW2014-2019 ALL RIGHTS RESERVED

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FACEBOOK FEEDBACK FROM RUSSELL MARSHALL!

‘Great review by Afrow… thanks..’

MARSHALL GATHERS MOSS AT IMITATE MODERN? ‘I’M’ IN!

To many, the mere mention of Marylebone conjures up one of two things… One, being the waxworks of Madame Tussaud’s, the other, being Mr Sherlock Holmes! However, make your way, on foot, via a concentration of Oxford Street shoppers, across, oft, car-clustered roads, along a, mainly-residential, thoroughfare, in the direction of this Fitrovian district and you will soon happen upon another reason to become well-acquainted with the area. The new name to add to your cerebral rotary-filing system, is that of the “Imitate Modern” Art Gallery.

First impressions of the building are that this is not your usual exhibition space. Then again, being situated amidst some of the finest chocolate-box environs of London, you would expect nothing less! In fact, it is akin to an ‘open house’, of the most elegant, listed ilk! Modest, classic, it is a mirror of its curator, Jaqui Pittack, with a warmth and effervescenct energy, which disseminates throughout her amazing team of Imitate Modern-angels and radiates out into the ambience. That it is situated without earshot of  the blaring horn-orchestra of motor-vehicles further facilitates the pleasing exchange which stillness affords, as you take in the array of modern-artistic talent, fastidiously hung upon the walls.

I have first-hand experience of this, since I had the distinct pleasure of attending two back-to-back events last December, spanning the worlds of altruism and art-inauguration. The former, part of of the ‘Christmas Wish List’ evening, not only served to toast the season, but also helped the homeless, by auctioning an original canvas by the incredible ‘Stik’, and raising a truly healthy sum for ‘The Big Issue’. The latter, unveiled the unswervingly dynamic collaborations between urban pop-artist Rich Simmons with, both, zeitgetist power-photographer, Tyler Shields, and inspirational street-artist, ‘Parlee Erz’.

In high-spirited accompaniment, were pieces from thought-provoking, statement-artist ‘Cartrain’, the relentless, Jackson Pollock-esque abstracts by George Morton-Clark, adroitly-complemented by a witty series of signature, monochromatic works from ‘The London Police’ and skilfully-balanced by the intense, yet, uniquely delicate, sepia-toned goddesses from the accomplished hands of Rosie Emerson. Yet, this group form only a tranche of the distinguished talent comprising the Imitate Modern collective.

Little wonder, then, that with such a diverse creative roster, the gallery has consistently caught the attention of the media, including such publications as “Tatler” and “Vogue”. Even less, that it is this beautiful West-London location, which has been chosen to house the imminent arrival of its latest exhibition by gifted artist, Russell Marshall, entitled “40 A Kate Moss Retrospective”. Presented in collaboration with Urban/Contemporary Art-brand, “Beautiful Crime”, it is in dedication to and celebration of the supermodel’s 40th birthday, featuring ten screen-printed canvases, in a selection of ten hues, themselves, available in ten variant colour combinations! Sourced from Marshall’s own photographs, each canvas captures the model at differing stages of her career, from the new-face, spotted at an airport, through to her meteoric rise to entrepreneurial/iconoclastic status… and the anticipation has set the world’s media on fire!

They’re right to be excited!

Imitate Modern is the perfect backdrop in which to showcase the visual journey of Kate Moss, who  has been a fearless and bold protagonist within the Fashion Industry. Her ability to encapsulate and inspire trends has seen her career catapult her into the upper-echalons of her field, yet she has maintained an inner poise, which has infused each campaign with greater depth and authenticity. So, here’s to you at 40, Kate…and to being 25 years, strong, in the one-off world of la mode….

…..Long may your fashion-forward meteor continue to rise!

“40 A KATE MOSS RETROSPECTIVE” RUNS FROM: 17TH JANUARY > 15TH FEBRUARY 2014 AT: IMITATE MODERN, 27A DEVONSHIRE STREET, LONDON, W1G 6PN ~ MON>FRI: 10a.m > 6p.m ~ FREE!

www.imitatemodern.com ~ www.beautifulcrime.com

©AFROW2014-2019 ALL RIGHTS RESERVED

IT’S ALL ABOUT ‘ME CLOTHING’!

There’s something relentlessly positive about urban streetwear label, ‘ME Clothing’!

Already on the fashion-forward radar of ‘Jones Bennett PR’, the leading-edge, boutique, public-relations agency, with an astute awareness of emerging creative talent, it was with great anticipation, that I awaited my chance to spread-the-word! Kindly passing the promotion-baton to yours truly, I inquisitively-embarked upon my dash-to-discover the origins of such boundless energy and ambition!

Maybe it was the series of ‘snapback’ caps, emblazoned with the sign of ‘Victory’, or perhaps, the signature-slogan of ‘I’m A Boss’, being announced via the visual loud-hailer of its upper-case, bold-type, upon primary-permeated sweatshirts… It could even have been the ladies’ ‘Varsity’ jackets, which yelled cheerleader-chic, in popping-candy-pink! To whichever garment my journey visited, I, most assuredly, called-off-the-search, once I’d found out more about Adam Benjamin, the entrepreneurial-brain and design-brawn, behind the brand!

Described by Jones Bennett PR as being motivated by manifesting a ‘feel-good factor’ of mutual creative appreciation, though the medium of fashion, and fuelled by the desire to offer a striking, urbanwear range, distinguishable by its dynamic design-presence, ‘ME Clothing’ was born. Impressive, for me, was the absolute clarity of vision with which Mr Benjamin pursued his objective, and, even moreso, that this has been directly reflected, in a brand-identity of cool, stealthy, simplicity. When added to the further artistic impact upon him of an ardent passion for music, the compounded outcome of highly-wearable, marketable, yet affordable, pieces was, and still is, entirely achieved.

A stand-out feature of the collection is its capsule nature, a perfect mirror to the succinct name. Substantially-quilted gilets, puff their chests proudly against practical silhouettes, available in both hooded and non-hooded options. Statement jumpers, are identifiable from-distance, with their glaring typography… tees, round-necked are efficiently-cut and, whether Christmas were nearly upon us, or not, I could sing a descant of praises over the ‘hero-piece’, varsity jackets, with their luxurious contrast-leather sleeves! Furthermore, as a stalwart for perpetuating the unique, I love the customisation-element, which acts as a ‘clothing-shuffle’, of sorts, facilitating creative ingenuity via upping-the-bandwidth of the easy, mix-match, neutral-toned palette! Such pleasing punctuations of personalized flair, worn in any combination, with one of the superb snapbacks and some boxfresh kicks, mean you’re good-to-go from pavement-to-première and back!

With the ability to span art-forms, it is no surprise, then, that over the three years since the launch in 2010, the label has attracted stars of the hip-hop/ r ‘n’ b genre, on both sides of ‘the pond’! The likes of U.K chart-toppers, such as ‘Chipmunk’ and ‘Wretch 32’ have been spotted sporting ME menswear, whilst heart-throb rapper, ‘Bow Wow’, has flown-the-flag for the brand, over in the U.S, in his one-off, customised jacket from the über-popular ‘Varsity’ collection. However, such household figures in sport as Florent Malouda, have also selected the brand as a ‘go-to’ designer-choice, and herein lies the tantalising twist-in-the-tale of ‘ME Clothing’. Not only is it amassing celebrity endorsement, but it is also capitalising upon a ‘mass-appeal’ momentum, which is quickly gathering pace within the scholastic-sport demographic! Once again, proving the less-is-more adage to be a design-winner, since bespoke jackets have been fabricated for the basketball and cheerleading teams of such esteemed institutions as Northampton and Westminster Universities, respectively.

Versatility, then, incorporated with a ‘warp-speed’ drive towards continued and discernable creative expression, are qualities which set, Adam Benjamin and his ‘ME Clothing’ label apart. He is a shining example of, both, enterprise and initiative, determinedly representing the head-turning vibrancy of the U.K’s urban-menswear scene. I found the brand replete with a stylistic spirit which is ‘100% ME‘ and after you’ve checked out the range, I think they’ll be a 100% ‘you’, too!

 www.iwearme.co.uk ~ www.store.iwearme.co.uk ~ @MECLOTHINGUK ~ SALE NOW ON WITH UP TO 50% OFF!

www.jonesbennettpublicrelations.com ~ @jonesbennettpr

©AFROW2013-2019 ALL RIGHTS RESERVED

‘AN EAST-END LOVE AFFAIR’….

So, yours truly has returned from swooping and dipping upon the mighty back of a modern-art and musical mistral! Just as this meteorological thermal is quickly-accompanied by clear and fresh weather, so too, has my mental after-party been partnered by crystallised, cognitive art-assimilation!

Utterly wooed have I been, by the dapper-gent of East London’s multi-disciplinary art-scene..and I have fallen for every magnificent manifestation, in both conscious and subconscious realms. Frankly, the area oozes creativity…. From urban to fine-art, street-style to avant-garde gear, old-skool to nu-skool, game-changing musical-movements, the E.C’s got it covered!

Invitational rose petals had already been fluttering my way, from ‘The Shoreditch Fashion Show’… as described in my subsequent post ‘The Arts go OFF-the-BEAT-en Track’… However, the tokens of affection have continued to adorn my artistic pathways in the guise of such events as ‘The Other Art Fair’*, which was another world, the adjoining ‘Moniker Art Fair’ which was brain-crunchingly breath-taking.. and a one-off video-launch of the effortlessly vibrant ‘Alpha Romeo’, from one of electro-pop’s finest purveyors, M.T!

We begin the beguine, under the industrial roof of ‘The Old Truman Brewery’, where I was one amongst an intense, rush-hour-sequence of excited visitors, weaving their way along corridors, bearing the brilliance of a superlative spectrum of talent, expressed through exhibits of painstaking-perseverance and time-honoured, yet idiosyncratic, technique.

Like a theramin, my heart-strings were plucked by the invisible fingers of visual-art, as a domino of pieces from emerging and established portfolios, brimful of imagery, alike, fell into the open arms of my anticipation. The beauty of these East-London flora had me fluttering from genus-to-genus of urban, photographic, live, printed, filmic, painted, embroidered, collaged, stencilled and oh-so-fine art media! In fact, at every turn, so high a standard of work was on display, that I wondered just how the respective gallerists had chosen which of their artists to showcase. ‘Was this how it felt to choose a favourite amongst a brood of children?’ I wondered! Well, the joy for me, was that I didn’t have to select… I simply succumbed to this ever-more enticing visual fayre, in all of its beauteous glory and let my internal, creative-chorale decipher its own descant of mounted offerings!

Thus, the coloratura of crystallised global-landscapes of Jaykoe, gave way to semi-quavers of surreal photographic re-interpretations of water by Angelika Spranger, in turn, complemented by M.J. Forster’s sotto voce, watercolour wonder-world, followed by the crescendo of Matt Small’s multi-layered car-bonnet creations, Keira Rathbone’s staccato, type-writer-work, the ralentando of 3-D relief, by the outstanding Jo Peel, the harmonies of acute attention-to-detail, wielded by Mark Powell’s pen-art and a collaborative coda of riffs-on-black-and-white, as manifested by Zeus and T.L.P, in their transplantations of outdoor urban-landscapes to indoor art-scapes! A relentless downbeat of hip-hop sonically-booming through the space, often caused my senses to intensely focus-pull upon each moment and, as the days progressed, the revelation dawned that, in fact, each moment was a happening, waiting to unravel… It took a second visit, on a comparatively calm Sunday afternoon, for my own voice to add its bespoke grace-notes, the result of which, are wrapped within this written solo.

Gifts from East-London did not come in the shape of objets d’arts, alone! Oh no! Indeed, my promenade was to continue along the Ridley Road market, to a video-premiere party at a delightfully quirky Carmen-Miranda-esque establishment, by the name of ‘Wu’s’. At personal invitation of synth-pop supremos, ‘M.T’ (which stands for ‘Many Things’), and in defiance of the imminent arrival of Hurricane Jude, I accepted… Well, after all, it would have been Wu’d not to!!

At first glance, what with all of the stalls neatly-housed for the night, you would have been forgiven for wondering whether you had taken an errant turning but I had faith in my East-London chaperone and my faith was duly rewarded with an evening of all-consuming fun, in an intimate atmosphere of warmth and hearty welcomes, more akin to a close-knit family gathering than that of an inaugural video-preview of a critically-acclaimed musical outfit! From the outset, Michael, the lead singer, was the perfect host…A willowy figure, with shoulder-length, chestnut-brown hair and deep pools of super-friendly, yet intense, eyes, he cut a dash in a three-quarter camel mac, opened just enough, to reveal a loose, black, scoop-necked jumpsuit, with its long sleeves hinting at the overcoat’s cuffs. Affectionately-known to his friends as the ‘white, fluffy, cloud’ because of his love of wearing white on-stage, it was evident that his quiet humility had long-inspired many of whom made up the guests that night. As the venue became increasingly filled, I sensed that the overriding energy revolving around the room was of friendship, support and love. The video, was joyfully reflective of just such emotion, evolving from band close-ups, to an all-out party-scene, featuring many of the people in the amassed crowd.  As I left, amidst a flurry of hugs, I remember feeling as if I had been some long-lost member of the family, at a celebratory reunion!

I walked into a waiting evening of sullen storm-clouds, apt for precipitation, M.T’s ‘Alpha Romeo’ the more-than-welcome sonic invasion into my soul’s soundtrack and a heartfelt acknowledgment that, whilst the whirlwind-of-wooing was over, this was no fly-by-night notion of affection. On the contrary, yours truly had been veritably won-over by my dapper-gent that is East London and marks the renaissance of a relationship, the kind of which, I am certain, will last forever.

© AFROW2013-2019 ALL RIGHTS RESERVED

www.monikerartfair.com : www.theotherartfair.com : www.pagetpr.com : www.mtmanythings.com

: www.facebook.com/ridleyroad (Wu’s)

*Heartfelt thanks to Paget PR for organising my invite to the amazing event!