“TOMMY X LEWIS is a-GO, GO, GO!”

It’s the dawn of a brand new day.

Different type of race day.

Same type of build-up.

… As my computer monitor buffers, I’m already getting the idea that Lewis Hamilton has been, subliminally, winding his way around the circuit of his life, all of his life, to this major, visionary moment….

… the destination, of which, is already a prize, now becoming a victory lap, of vêtements, if you will…

… which is apt, since, it is beneath the banner of his exceptional, other-worldly willpower and drive, that the boy-turned-man racer, Hamilton, launches his first collection, in collaboration with zeitgeist style-powerhouse, Tommy Hilfiger.

Paying homage to their “Icons of Tomorrow”, the “Tommy x Lewis” fashion line comprises a co-ed capsule range, which is raising the chequered flag of sartorial success, in no uncertain terms!

Yes, we know him as the prodigious driving genius, who, from his karting days, was set apart by an uncommon work ethic, but today demonstrates a new discipline in Lewis’s creative kitbag, which complements his well-developed, but lesser-known gifts in music and his holistic appreciation of the artistic.

As I speed-type, with cartoon-smoke coming through my fingertips, “Everybody’s looking forward to what comes up next” is piping through my speakers.. and, if the superfast stream of reactions is an indication, millions are, like me, joining the throng, to preview exactly what “next” is going to “be“.

Who cares if the feed keeps dropping in and out, like a fan, fainting, from being overwhelmed at meeting their long-time idol?!!!

What does it matter if this begets the necessity to minimize the resolution?!!!

The track blaring out at me that “it’s time to start the show…” could not be more right…

LET’S. DO. THIS. LEWIS!!!!

A sliver of floating runway, is set in a Shanghai harbour, adjacent to a bright-lights-big-city backdrop and flanked by a deep river of stillness as guests, comparatively, on the edge of their seats, are being treated to fierce, high-octane sport-luxe, with codes of crisp, colour-blocking and crop-topping…  Non-stop Iconic, stomping, in block-heels and stepping, in worker-boots, khaki parkas, pewter puffas, go-faster, F1 stripes, chromatic geometrics are team-mates with over-grown plaids, on models with plaits… overlaid by a palette of clean-lined, lightning white through midnight black and texturised by sweatshirts and sweater-vests, drenched in shimmering sequins…

No time for pitstops though, as proportions collude, from full-length coats, that effortlessly cloak, to a cutting-edge tux that, seemingly, carves the silhouette out of living space. They scream and holler “New-York-minute” elegance, for the fashion-conscious connoisseur-cum-global traveller!!

It’s full-on, new-pep, Preppy-for-the-People… irresistibly-twisted, Ivy-League-on-overload and, branded with the insignia of “H”, brings to mind that, for such a time as this, were Hilfiger and Hamilton destined to be one.

The finale walk, was the perfect reminder that this was no empty, celebrity-endorsed exercise but a bonafide collaboration… the result, of which, delivered on desirability for the masses and then some. It is achievable, believable design, filled with on-trend enthusiasm, yet fuelled by an energy of endurance, and, in a sloganized, tie-dyed top of his own, the root-message from Hamilton’s heart is clear.. “UNITY” is the new dress-code of the day.

… A garment that I should be proud to sport, any and every day…

 

 

©A_F_R_O_W2018-2019. All Rights Reserved.

 

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Click-through below, to peruse and purchase from the “Tommy X Lewis” capsule collection Now!

TOMMY X LEWIS (Tommy Hilfiger UK)

Social Media Links:-

@TommyHilfiger @LewisHamilton

#TommyxLewis #TommyNow #IconsOfTomorrow

 

 

 

MARSHALL GOES ‘FACE-TO-FACE’ WITH KATE, AT IMITATE MODERN!

Have you ever wondered what it might be like to be cradled in the arms of a rainbow?

If so, then you’ll find the answer ensconced within the arc-of-screenprints, in “40 A Kate Moss Retrospective”, by ultra-talented artist, Russell Marshall, currently showing at the enchanting ‘Imitate Modern’ art gallery!

On one level, your eyes race to absorb the high-definition, technicolour dreamscapes which coat the walls. Time flits by as fast as you can blink, whilst you remain transfixed by the neon shocks of sherbet-pink and acid-yellow, bouncing like laser-beams from a New Year’s Eve disco-ball! Quick-as-a-wink, you are compelled to follow the spectral-story wherever it leads and begin to register shades which resound like a chromatic scale… Prints in-the-key of shimmering-silver and incandescent-pearl are laden with outlines of indellible impressions…

Fully-acquainted with the cornucopia of exceptional colour-charts, you then begin to focus-pull onto the subsequent layer of visual stimulae, present in the undoubted recognition of, not only a face, but ‘The Face’ of Kate Moss, staring back, as if to guide you from one incarnation to another.

It is at this point, that your heart-rate evens out…

 The ‘pop’ which Russell has told me he would like the palette to have, has been achieved and so begins a new narrative, of taking a visual tour around Kate’s career, through the viewfinder of the former journalist and editor. The immediacy of being subjectively engaged at such a rapid rate, yields to a futher immersion, into a state of ‘objectivity’, yet it is neither stereotypically cold nor separate. It is, in fact, replete with a distinct clarity, founded in true warmth and admiration for a woman of real character, who has eclipsed the notion of ‘celebrity’ and, rather, re–defined and re–valued it. This facilitates a deeper connection to the potent colour-combinations, which serve to highlight the myriad facets to her own, vibrant personality. Furthermore, Russell’s editing sensibility is masterfully employed, in exhibiting specific screenprints which, at once, reveal the wide-eyed potential of a young girl, spotted at the age of 14, whilst also uncovering her scintillating, Bardot-èsque vulnerability, her ethereal elegance, swathed in full-length gowns and floral-sprays and an haute couture-regality, resplendent in Vivienne Westwood!

An added spin to the retrospective, it that of the journalistic element, for as the walls have Kate’s eyes, they also have her words! Quotes such as “Never complain, never explain” quietly indicate a certain pragmatism, whilst others celebrating the ‘girl-about-town’, like “I haven’t partied since last Friday”, positively scream from the rafters! Displayed alongside columns of biographical copy, by Amy Watts, the twist of presenting silk-screens, which constitute a statement as to the real definition of celebrity, in a 3-D newspaper format, is both witty and entirely evocative of the wondrous days of the old-fashioned handprinting-press! Encompassed by musical soundwaves dripping with Britpop, the White Stripes and Primal Scream, the audio-visual, launch-night mind-meld, completes the journey!

In essence, “4o A Kate Moss Retrospective” is a startling adventure with the ability to engage the viewer, by transporting them through the career life-cycle of a living legend. From the girl-next-door, whose diminutive stature should have ruled her out of the modelling industry, but which actually set her apart, to the celebrated Mother, Supermodel and Designer, Russell Marshall is a maestro of multi-dimensional expression. The single plane of a screen is doused in prismatic vibrance, which facilitates an optical appreciation of beautiful images…Yet, in accompanying them with written and quoted content, Kate’s joie-de-vivre becomes even more apparent. What with each of the ten works being a limited edition of one (the variations of which can be chosen from ten unique colourways), the concept of honouring individuality, is perpetuated. According to the artist, himself, there might even be a gentle ‘tap’ of the frame during its production, just to add a perfect imperfection, which is undetectable to the naked eye, of course, yet, intrinsically embedded within each wonderful work!

It is this eloquence of embracing the idiosyncratic and the courage to express it, which, almost a week after the private viewing, still echoes within. Whether or not you find yourself in the spotlight, the truth of who you really are, will always enable you to shine. Such an enduring and empowering message was shared by Russell Marshall on Kate Moss’s 40th birthday and I wholeheartedly encourage you to do the ‘grand tour’ for yourself, because the writing’s on the wall… this incredible show is an undeniable hit!

“40 A KATE MOSS RETROSPECTIVE” RUNS FROM: 17TH JANUARY > 15TH FEBRUARY 2014 AT: IMITATE MODERN, 27A DEVONSHIRE STREET, LONDON, W1G 6PN ~ MON>FRI: 10a.m > 6p.m ~ FREE!

www.imitatemodern.com ~ www.beautifulcrime.com

©AFROW2014-2019 ALL RIGHTS RESERVED

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FACEBOOK FEEDBACK FROM RUSSELL MARSHALL!

‘Great review by Afrow… thanks..’

LCM: THE HEAVENS OPEN AT TOPMAN’S AW2014 SHOW!

Dark. Dank. Devoid of sound.

Booooom!!!

The edgy power of John Cooper Clarke cuts through the ether…His weighty words, doused in a Lancashire accent, darting rhythmically about like vocal strobes.

The spoken word hits a crescendo, his last line held in the air, embraced by nothingness.

Within seconds, action ensues, as mist-for-lighting announces the dawn in Topman’s LCM showspace. An industrial location is revealed, with a concrete catwalk, dressed, intermittently, in pools of water and as deep, electronica replaces the solo, the first model, with already-drenched hair, turns the corner into this brick-clad world of ‘Wuthering Heights’, breaking the modern-day barrenness with an opening AW14 look.

Black literally set the tone, represented by substantial, single-breasted, over-sized, overcoats, such as the duffel, with a popular toggle-fastening and their double-breasted counterparts in waist-hitting jackets. PVC bonded to ‘notch’-lapels, patch-pockets and block-hems, added textural impact to the round-shouldered silhouettes, which skulked the pass. ‘Wet-look’ variations-on-the-theme would be presented in high-shine, lacquered-leather separates, impressively accentuating apparel in shape, form and line, whilst also defining details through such simple, yet effective, techniques as piping. Within this section, the colour propostions mirrored the autumnal palettes of moss-meadow green and mushroom, with red-based plaid shirts and tassled jackets (echoing the cowboy-themed SS14 motif), acting as the flash of sunlight, breaking free upon the moorland.  Knitwear was rugged. At times, no-nonsense, with exaggerated, chin-cupping roll-necks, in open, cable and honeycomb weaves, resembling stylised fishing-nets…At others, given lozenge-beading and bouclé, to revisit pops-of-colour and to add surface characteristics.

Yet stronger spectral statements flooded onto sumptuous, full-length coats, in blazing orange, with matching, ‘jazzed-up’, ‘zoot-suit-style’ pants, voluminous and billowing against the strength-of-momentum with which the models strode through the venue. The pieces were also to be reprised in baby-blue pastel, a further homage to the tonal story, which has played a starring role in the sartorial spring/summer repertoire of many a design-house. The next seasonal trend-transition to be encapsulated, was the see-through mac, of long and short dimensions. Layered alongside these key advents into eye-catching shades, they complemented the story, with a revealing twist. Signature tailoring, for which the brand has become so higly-recognised and revered, featured in juxtaposed fashion to the drop-shouldered, full-pant ensembles, instead shown as straight-lined, straight-legged, suiting, in shipyard-slate and charcoal-greys, ever-echoing the ‘working-men’ of the past.

With the last look of black roll-neck, oversized, three-quarter length, matt, PVC coat and glistening liquid-look trousers, the Topman AW14 Collection had brought us to the end of our tour-of-the moors….or so it seemed…The last hurrah was an indoor downpour of rain, which fell upon the models as they walked the finale! It was an other-worldly end to a show which was typical of a collaboration, headed by the ebullient Gordon Richardson, and backed by an amazing design-team who know exactly who their ‘man’ is. To me, he’s a powerful, passionate, hardworking, salt-of-the-earth, modern-day Heathcliff and he wants his clothing to express that!

In the inimitable words of John Cooper Clark, ‘There’s apparel, Jim, but not as we know it!’* and when this distinctive collection hits the stores, you’ll see exactly what he means!

  http://www.londoncollections.co.uk/ ~ http://www.topman.com/

*Excerpt from ‘TOP MAN’ by John Cooper Clark

©AFROW2014-2019 ALL RIGHTS RESERVED

SPOTLIGHT ON: THE SHOREDITCH FASHION SHOW 2013!

I love fashion, I love music, I love art and I love it LIVE!

So, imagine my utter bliss at having discovered ‘The Shoreditch Fashion Show’, a multidisciplinary smörgåsbord of emerging creative talent, which takes place this Saturday 12th October, from 7pm to 1am, at The Oval Space in Bethnal Green, EC2.

Imagine my excitement, then, when, courtesy of the organiser, breakthrough Creative Arts lifestyle-brand ‘öffbeat’, yours truly was provided with a guest pass!

Presented, in association with ‘Batiste’ and in partnership with such top industry names as Julien Macdonald, Fashion TV, Artlyst, London College of Fashion, Serge De Nimes, to name but a few, the evening represents the best of the U.K’s next-generation Creatives, and promises to be an immersive experience, rather than just a show.

The music line-up has been confirmed to include the likes of the brilliant Rufio Summers, Kill It Kid, Vince Kidd and Linda Bayliss, whilst the unique perspectives of artists Sunyin Xiaowen, Linda Cieniawska, Aphra Shemza, Gwyneth Fugard and Charlotte Osbourne will be showcased in a specially-curated exhibition, under the intriguing title of ‘Through the dark, light shall appear’.

Add to this a number of pop-ups, live graffiti, some mouthwatering gastronomic offerings and an exclusive runway show (with designers to-be-revealed on-the-night!) and it’s easy to see why this is going to be both the hottest and coolest site-specific, creative-arts ticket in town!

 See you there!

For more information visit www.theshoreditchfashionshow.com ..but hurry up because, after the success of the the event’s first outing in April of this year, this is sure to be a sell-out!

©AFROW2013-2019 ALL RIGHTS RESERVED

I’M A ‘FASHION-EAST-ER’!

If you went down to the London-Fashion-Week-woods on September 17th, you were in for a BIG surprise…especially if you happened to go via the ‘Fashion–East’-End!

I, excitedly, took that detour, and as if I’d fallen down a man-hole on Main Street, rather than that of a Wonderland-rabbit, I found myself entering whimsical world of Hong Kong designer, Ryan Lo! It was, indeed, a cordial welcome into a rich and textural tapestry of creations, with (spoiler alert!) anthropomorphic models, made-up to appear as fairytale-foxes and princess-pussycats, to name but a few!

 A veritable treasure-trove of vintage-lace appliqué, fluttered against knee-skimming skirts, whilst also being delicately-layered, as tie-string tops, in a kaleidoscope of watercolours, such as dusky-pink, sweet-pea blue and champagne-yellow. Tulle came full-length, in a peach-blossom frock, with ballet-flounces, frothing beneath a mid-length overcoat (complete with ‘tail’), in antique-gold-on-white, and would develop into a gorgeous gilet, which undulated like the rarest, underwater coral.

The knitwear-story was akin to turning the pages of the most vibrant pop-up book, EVER!!! Bubblegum-pink party-pieces were ousted by cardigans in kiwi-green, with a ‘moo-cow’ motif and chocolate-brown, with a fantastic farmyard-scene, a fresh-and-fruity, strawberry-strewn sweater/ mauve micro-mini ensemble and (my pièce de résistance) a full-length, lime-green, crocheted-cape, bursting with sunshine-marigolds in full-bloom!

Before I knew it, the collection had come full-circle, with the finale look of a soft, baby-pink-on-white, horizontal-striped coat, in a darling ‘trapeze’ silhouette…A fond farewell was given to the animal theme, in the guise of a huge, ‘pussy-bow’ neck-fastening and although it was his last word in the show, I’m getting more- than-an-inkling that, with his highly-skilled ability to emboss his unique vision upon the runway, Ryan Lo’s superstar-story has only just begun…

©AFROW2013-2019 ALL RIGHTS RESERVED

DSQUARED2: IN CELEBRATION OF THE MOVIE-STAR SIREN!

As a designer, you know that a show has gone down a storm when howling whoops of delight are audible from both back and  front-of-house!! After today’s Dsquared2 show, the identical-twin design-team of Dean and Dan Caten must surely be shouting the loudest!

Forget that the event was running half-an-hour behind the scheduled time, the buzz of anticipation from an audience, the size of which was comparable to the Burberry attendance, was palpable!

With a brassy blast of Mambo Kings announcing the imminent arrival of some spectacular style, we knew that we were being set up to depart upon the fashion-ride of our lives!!

First up, was a splash of showroom footage, in which models were either being fitted and dressed in the collection, or were dancing with the designers, themselves, in a tiki-hut!! The brief glimpse served as a tantalising teaser to what was to follow….which was a pitch black auditorium and a pinched, female voice, with an American accent, regaling the finer points of elegance, as if delivering a Public Service Announcement!!!

Then BANG! With the camera done, it was lights and action, accompanied by Elvis Presley entering the building, as ‘Bossa Nova’ was siphoned through the super-speakers!! The scene was set with an elongated tiki-bar, complete with bow-tied bartender, a stretch of runway which extended like a record-breaking length of taffy and models, ready in their first looks, to powerwalk the pass!

Oh and what looks they were! The Dsquared2 woman positively oozed Sophia Loren-allure, with lashings of Brigitte Bardot-boldness and Diahann Carroll- decadence! The story started with bustier/ corset- bikinis, harking back to the moulded shapes of lingerie and beachwear of yesteryear, thus illustrated by a blonde bombshell-of-a-model, sauntering along the runway in the opening stark, white two-piece. Variations of the ‘new-vintage’ look were presented in darling degradé blush-pink-on-white and burning-yellow ochre colour combinations, with maximum impact being achieved through a punch of pop-art-turquoise stilletoes and the additional back-combed hair and wing-tipped make-up, courtesy of Sam McKnight and Charlotte Tilbury, respectively!

As the audience surrendered to subsequent models owning the catwalk, the retro theme was developed by the introduction of more traditional two-piece bathing suit ensembles comprised of bra-tops and full-briefs. One such example was in (virtually flourescent) purple/orange print, teamed with a jauntily-sported, single-breasted jacket, the fabric of which would be reprised in a natty black-belted jumpsuit. Animal print was also popular and featured on both string and bustier-bikinis and as a, wonderfully worked, mélange of patchwork-print.

Dsquared2-daywear encouraged the play-on-white, by incorporating capri pants, cotton blouses and a sartorially-stunning, single-breasted jacket. Texture was developed by way of toffee-toned leather shorts and an adorable three-quarter length, over-sized coat in coffee-brown. Black-and-white bouclé appeared in jacket and bustier-bikini form, with sequins denoting their take on the knee-length skirt.

When it came to dresses, we were in for absolute treats, with a selected off-the-shoulder gowns of the multi-print, kneelength, puffball variety, in a red/black/white palette and in a devastating midnight-black, fit-and-flare silhouette. Each piece was laden with acres of tulle underskirting, floating like flotsam on the ocean and, of course, had handbags to match! Of particular note, was the quirky usage of fabric paillettes in yellow/ taupe-tones, which caused the garment to look somewhat feather-like, yet distinctly attractive and extremely fun to wear!

For the sunset hours, composed relaxation was in order, with black silk blousons and bell-sleeved tunics paired with classic white, high-legged shorts. Notwithstanding, the chance to incorporate colour was never missed and the reprise of the blouson, a dream in tangerine, was confidently  off-set by highly mirror-embellished shorts. The journey continued with an ivory collarless jacket, scattered with gold beads from top-to-tail and the metallic trend evolved into a shimmering silver adaptation of the three-quarter coat, styled with a matching, Doris Day-èsque ‘pill-box’ hat!

It was left to the bikini-story to bring the show to a dynamic close, with a Barbarella-worthy black, cut-away, criss-cross swimsuit, building to a climax of a black-on-white bustier-bikini, which was the only example to have a ‘creeping-vine’ motif.

The finale vignette of the entire model line-up, topped-off a show which would, quite frankly, give the Punchdrunk site-specific theatre company a run for their money!!! Once Dean and Dan had, themselves, walked the measure of the catwalk to rapturous applause, the ride-of-a-show was over..

No matter what the start-time, this triumphant collection was above-and–beyond worth the wait!

©AFROW2013-2019 ALL RIGHTS RESERVED

MINE’S A 99, AT THE BURBERRY SS 14 LFW SHOW!

Watching the Burberry SS14 catwalk show reminded me of running after the ice-cream van as a child, in the heat of the summer-holiday sun (which really did shine for at least six weeks…honestly!), desperate for a ’99’… which was a traditional cone filled with vanilla ice-cream and a chocolate flake…!

So what had me reminiscing? Well, a palette of gorgeous lemon-ice, mint-green and  watermelon-pink sorbet shades, which were colourwashed onto relaxed, yet totally ‘put-together’ looks. Think Audrey Hepburn in ‘Funny Face’, for the tucked-in formality, except loosened-up with sheer-to-the-bone skirts, figure-hugging laser-cut dresses and structured skirts with daring splits, to show just enough leg to suggest that a Sophia Loren-like siren ripples beneath the surface! Standing out amongst the plethora of stylistic delights, were coats encrusted with dazzling crystals in dynamic flower motifs, which were re-visited upon skirts, for that extra edge and with a deconstructed clutch in a myriad of tones as a signature bag, the collection was complete!

Not to be outdone in either sartorial or colour stakes were the men, who were suitably attired in pink patterned shirts, sky-blue shoes, navy trousers which were blunt-cut at the ankles and camel-coloured coats, to name but a few items. Think along the lines of  Mr Hudson, the musician, on a day off and you’re pretty much there!

Once again, as London Fashion Week continues to build momentum, the House of Burberry has most definitely quickened the pace…. I, for one, am truly looking forward to seeing their fantastic SS2014 runway looks translated to the London thoroughfares…I’d swop my 99 ice-cream for a Burberry pink-sorbet number any day!!!

©AFROW2013-2019 ALL RIGHTS RESERVED

 

DAKS THE WAY I LIKE IT!

….and like it, I did!

From sumptuous butterscotch-leather boyfriend coats and kilts, to slices of skin revealed in crisp white shirts and billowing peach flares,  every model seemed to float down the runway, in complete tandem with the effortless grace of each outfit.

As ever, the simple elegance and riviera-chic of the Daks SS14 collection was undeniable. The clean-line aesthetic was accentuated by finely -tailored jackets and suiting which skimmed the silhouette, whilst a selection of creations in Daks house-check, including sassy separates such as shorts, balconette-bustiers, a thoroughly modern signature-mac and a fabulous floor-length gown, positively demanded attention! Even neutral black became more vivid, due to the fluid movement of sleeveless sweaters and low-slung trousers.

All-in-all, every look was a modern-day classic from this most historic British heritage brand and for aficionados of easy elegance or movie siren-style, Spring/Summer 2014 has the Daks signature written all over it!

©AFROW2013-2019 ALL RIGHTS RESERVED