afrow

Black Girl on the Front Row!

Tag: Paper

“A FAIR TO REMEMBER!”

I’ll say this

…for now, only once (with advance apologies for repetition to the affirmative, in future posts!), but, with regard to fairs of the Fine Art ilk, 2014 has, to my mind, been the strongest year, yet.

From ‘Works On Paper’ at the awe-inspiring Science Museum, ‘The Other Art Fair’, (or TOAF), with its ever-edgy takeovers, at The Old Truman Brewery and Ambika P3, through to ‘The Independent Artist Fair’, (or TIAF, not to be confused with TOAF!), only the pitch-of-a-stone from Brick Lane and encouragingly organic and lo-fi, the common denominator has been the ability to maintain creative integrity for all artists involved, whilst simultaneously harnessing the entrepreneurial energy, worthy of a well-loved and respected developing ‘cottage industry’ template.

Take, for example, the aforementioned, ‘TOAF’.

It stays cerebrally locked since, in one fell swoop, its Director, Ryan Stanier, has successfully orchestrated a move to combine the best of the Creative Arts and simultaneously do away with the stereotypes of a world, exclusively inhabited by those of a certain socioeconomic background. Having attended a healthy amount of Private Viewings, it is clear to see that, as per the inclusive nature of the creative energy, itself, all walks are, not only welcomed and encouraged, but, in fact, vital to the lifeblood of this event-model. Founded in a desire to expose the wide range and eclecticism of Art at its highest level and reflected by the practitioners selected, the experience is paramount… Thus, the propostion of meeting and greeting with inspirational emerging and established talent, seeing their work within buildings which mirror the dynamism of the artistic energy they will house and adding culinary and musical fayre to maximise ‘the vibe’ (and rival any top London nightspot), becomes immensely exciting and enticing!

Let me make it clear, that the zeal-for-zeitgeist is not to the detriment of an authentic desire to simply share and engage on a holistic level. Kinetic to kinaesthetic, Stanier employs the diversity of Arts and crafts them into an authentic dialogue between maker and potential buyer, whilst managing to dissipate any pressure to consume, through the lively rendering of the backdrop of London culture. It is intense as it is genius! As if to compound the vision for ‘all-access-Art’, TOAF was a brand-partner at the recent ‘Off The Rails’ menswear event. Held, once again, at The Old Truman Brewery, it served to blow the doors off the image of an ‘apparel man-cave’, rather, embodying a treasure-trove of classic and contemporary collections for the modern man…Naturally, this was an absolutely perfect fit, vis-a-vis promoting the cross-fertilisation of complementary accoutrements for such lifestyles. Attending the four-day event was a distinct pleasure, made all-the-more amazing, by the speed of site-turnaround, given that the venue had played host to TOAF, less than a fortnight prior!

It is this marriage of a sensibility to multi-platform creative expression and a supreme logistical skillset, underpinned by sharp media-savvy and the pure passion of their manifestion, which has resulted in the rise of bringing art to the masses. If the round-the-block queue at TOAF’s last event was anything to go by, the popularity is only set to increase…meaning greater exposure to even greater artistic talent…and that is fine by me!!

©AFROW2014-2019 ALL RIGHTS RESERVED

The Other Art Fair

The Independent Artist Fair

Works On Paper Fair

Off The Rails

The Old Truman Brewery

LFW: SIMONE ROCHA…TOTALLY TONGUE-IN-CHIC!!!!

Ahh Miss Rocha, with your style, you are really spoiling us!!!

Now before you tell me… I know it’s Roch-a as in ‘Ma-MA‘, not Roch-a as in, well, Rocher, but I couldn’t resist it! Nor could I take my eyes off this collection, which was, at once, stunning, as well as scintillating!

First impressions?

The ‘Simone Rocha-girl’ is the ‘Chanel-girl’s’ naughty little sister!!! The opening black ensemble of a sleeveless top with pearl-embellished neckline, which delicately surfed the stomach, a knee-skimming skirt, sheer popsocks, and a twist on the quintessential ballet flat, again, accentuated with pearls, nigh-on shouted LOOK AT ME..NOW!’, on its way down the catwalk!

What followed was an edgy, yet, romantically-inspired journey, which would incorporate glistening, black, texturised jackets and trousers, adding depth and balance to the strength of looks. A semi-tonal shift to grey, facilitated floral motifs to shine upon knee-length dresses, with the gradual movement through the neutral palette made complete by a welcome blast of lightning-white. Models resembled paper dolls in dresses, the material of which, appeared to be the most delicately-crushed, lily-white petals. As if to conclude the theme, Miss Rocha stripped away any tonal suggestions whatsoever, presenting us with her take on the see-through mac, choosing, instead, to use a doily/ crochet motif as the point-of-interest. However, the colourful introduction of a luxurious moss green, three-quarter length, leather coat, reminded us not to be deceived by the apparent fragility of the looks which had gone before!

With the optical amuse-bouche delivered, the journey meandered through variations, on a brocade theme. Top-to-toe separates which glimmered beneath the lights, as sunrays settling upon the fresh, morning dew, were quickly followed by pieces which saw a reprise of pearls, unexpectedly outlining single-slash cut-outs. This surprise adornment soon took a more recognisable format, with golden pearls being applied around the neckline of a fabulous white coat.

The finale was a breathtaking way to end the tour, with the last three models wrapped in peach-hued, gossamer-like material, featuring pearl-encrusted cut-outs and pop-socks…It was as if they had just been taken down from the shelves of a high-end fabric shop, ready to be unfurled, or were fairy-tale brides, ensconced beneath the most ethereal wedding veils!

What we had here, ladies and gentlemen, was a masterclass in meekness… In other words, power under control, which, I believe, not only befits the ‘Simone Rocha aesthetic’, but also extends to her ability to harness her unique talent. A talent which she deftly uses to deliver gifts of exquisite designs, complemented by an irrepresible measure of wit, that can only be described as truly tongue-in-chic!

~

SIMONE ROCHA.COM ~ @Simone_Rocha_

©AFROW2013-2019 ALL RIGHTS RESERVED

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A TWITTER-FAVOURITE WITH CAROLINE RUSH (CHIEF EXECUTIVE OF THE BRITISH FASHION COUNCIL)!