afrow

Black Girl on the Front Row!

Category: GALA

“Inc-RED-ible BAFTAs!”

 

Enjoy the view…

… This recent encouragement had stuck in my spirit…

… remained suspended, until the opportunity for the right view, came along…

that being, a behind-the-scenes perspective of one of the most exciting nights of creative recognition, namely, the British Academy of Film & Television Arts Awards.

My view would begin at the Royal Festival Hall..

Sacred home to so many endeavours of artistry, from stage to screen… embracing space of the consummately classic and cutting-edge contemporary… sprawling venue for live, sonic experiences and intimate poetic expression. It is the epitome of an environment, which nurtures, both, the organic and site-specific nature of multidisciplinary invention…

… and, against the backdrop of a rich, aquamarine sky, backlit by piercing dawn sunrays, the milk-white hue of this hallowed building was, extraordinarily stunning.

Taking each step from Belvedere Road, a lively throng of fellow Arts-enthusiasts, was the chorus which greeted me… All in, animated, wait, anticipating a day which, as an observer, could not be planned for, simply, witnessed…

… and, as ever, my curiosity was piqued…

Who were they? Where had their respective journeys started? I had to dive in… and expeditiously learnt, that they hailed from Suffolk, on the 6.a.m. train… Essex, on the earliest train, possible… from all points, on the Central London compass, and beyond, by road and rail… and, like me, had a feeling that on this day, this place was the place to be.

Time seemed to decelerate…

… as if we were, now, suspended in our own BAFTA bubble… Hoardings had gone up, queues, were growing tails of eager-beaver, red-carpet connoisseurs and devotees of the stars, great and good, belonging to this wonder-world of the business called “show”..

… But who would, actually, show up, was still a mystery…

Revelations had been stoking the social-media engines and, on inquiring, as to whom the admirers would most love to see, it was a delight to hear that so many had come to support them all… although, after an eagle-eyed sweep of the clustering column, I did spot a number of tell-tale fan T-Shirts!

***

The sun had been steadily moving… as had the lines… The security, kindly, with the definitive air of authority, had kept us informed of entrance procedures and the Southbank, itself, had become a veritable hive of activity, with the Royal Festival Hall, the, unrivalled, Queen Bee…

Not only was the BAFTA buzz growing louder, by the second, not only were passing tourists approaching, to discover just, exactly, what the electric atmosphere was about, but whispers were becoming squeals of glee, when rumours became online confirmation, of attending A-Listers..

… For my part, the fashion was a distinct draw…

Gowns, from the extravagant to the excessive, were sure to make their appearances… Suits, from the understated, to the uber-o.t.t, would, most certainly, demand airtime… From up-do’s through tutu’s, slick-backs, to short-back and sides.. I was about the glamour, dahhhh-ling and I wasn’t going home, without it!

… And, before we knew it, the moment had come, to be the preliminary steppers upon the tapis rouge! Around the corner, ensconced by BAFTA-emblazoned hoardings, we made like legends-in-our-own-lunchtimes, into designated audience areas… and so began one of the most intense rollercoaster rides, in my living memory!

In a heartbeat, talk began, as to the best vantage point for selfies, the best arm position for selfies, how to lean and get your best side… for selfies… Followed by, from which direction the guests would come… then, how to get the full autograph-album completed, how to get an artist’s attention… There was serious strategy… and I was bowled-over… because, you couldn’t plan for this sort of day… or could you?!!

… From that point on, I observed..

I took it all in…

… and re-ran what had just transpired, to even arrive in the viewing gallery…

We had walked past the Press area, opposite, which was ready for representatives of allotted broadcasting outlets… Looking upwards, were 360-degree cameras, lids down, waiting to wake, and rapidly, blink-to-attention, at the celebrity procession, which would, first, be met by the beat of the step-and-repeat.. and, of course, the prestige courtesy-car, arrival area… which would be the last port-of-call, for last-minute wardrobe adjustments and last-minute calm, before the inevitable screaming-storm!

At the sun’s zenith, they streamed in, as it streamed down… and the V.I.P-count did not disappoint… U.K. to U.S., they hailed… From, soap, to stage, to big-screen… from daytime, to night-time, they adorned the red-carpet and, to be frank, were adored, by the most earsplitting meet-and-greet welcomes, I have, ever, heard!

Presenters, were mic’d-up and ready to go..

… as homegrown casts appeared, in speedy succession… and the dawn chorus began to call a who’s-who of names… and the, now-perfected selfie poses, were editorials-in-action..

… and we waited.. and, mesmerised, I kept watching..

Who would be next?

Well, for future reference, to be acquainted with the language of “loud-screaming”, is advisable, as the higher-pitched, the more desired, the Artist… Until it all becomes one, continual, collective cry… because, everyone wants to see, be seen and be pictured with, well, everyone

… and, who could argue with such passion, when, like a rushing river, global names approached, so graciously, to oblige, to the, mountingly, fevered requests (returning, in some cases, often, more than once, twice and, even, thrice)…  not because the sun was a-blaze, but because the red-carpet was a-flame, with fame!

Oh… and how the style-files were overflowing, in my phone and my mind!

… And how my wishes were, beyond, fulfilled…

From home-made, billowing, bin-liner couture, embellished with wrappers, to jewel-toned robes, luxurious layers of exquisitely embroidered and crystal-encrusted attire, to magnificently, cut-to-fit bespoke, black-tie brilliance, which was the most… it’s safe to say that the stars had fallen out of the sky, had, elegantly, landed in London and entirely outshone the sun!

… This undulation of emotional crescendo, only became diminuendo, when all of the glitterati had been whisked away, inside the Hall, for a night to remember…

… and, as dusk fell, outside, I absorbed my red-carpet moments and smiled..

… because they might not have been BAFTAs, but they were my prized souvenirs, of a day, about which, I shall not, soon, forget!

 

 

 

©A_F_R_O_W2019. All Rights Reserved.

“BROS: After The Screaming Stops”

It is said that one never gets a second chance to make a first impression.

Of course, the original conjugation was in an offline sense. However, on Thursday 30th August, the prevalence of the spike of a certain set of digital impressions was impossible to ignore…

Permit me, friends, to extrapolate the lead-up because, as PR campaigns go, leave alone those of social media ilk, this was inherently stylish, oozing less-is-more class, with the consummate ease of an haute couturier, in preparation for Fashion Week.

All vision, no sound, rendered the volume icon redundant… a pleasant rejection from the “so yesterday“, consumptive trend, concurrent with today’s computer-crammed society. Now, do not get me wrong, friends, for communication, being my wheelhouse, the efficiency of modern modes of connectivity are a blessing… and yet, I appreciated the fact that there was no need for tech savvy… None of it. Instead, picture after picture of conjoined moving imagery was presented, over consecutive days, fuelling the driving momentum of an imminent announcement.

In a countdown where sneak peeks of practiced paradiddles, raw, frame-gripping grief and a, final, stance of brotherhood, from an onstage p.o.v, piqued increasing interest, each tantalising taste of things to come culminated in the revelation that the highly-anticipated documentary of “BROS: After The Screaming Stops” was, not only, available for pre-order, but had also gained BFI-accredited feature status, and was destined to be premiered at the upcoming, London Film Festival… arguably the most prestigious of its kind, upon the creative calendar.

Thus, the method of keeping the quiet out had been encouraging silent-movie engagement… creating the mental space for us to listen to our own internal reactions to the visuals, whilst also engendering empathy of the impact of the deafening nature that such silence brings, both, post-show and in everyday life.

You see, friends… I told you it was classy!

The Twitterverse was sent into a, veritable, hashtag-frenzy and I even think that I heard the echo of screaming, onset by the epic news… I, further, expect the flurry to continue, until ticket lines go live… partnered with the unadulterated glee at the successful purchases, thereof… although that might just be a self-fulfilling prophecy of she who is currently tapping away upon the keyboard, on the other side of your screen!!!

What I know, for sure, is that this meticulous exposition, directed by David Soutar and Joe Pearlman, will bear the grit behind the glamour, the art and the graft, will challenge and cheer, and signify the ultimate exploration of a bond of brothers, brought to the brink and back…

For no-one knows it, like these men in the arena, but after taking such an authentic tour with Matt and Luke Goss, after the screaming stops, I’m fully confident that a rapturous round of applause will start… the script of documentary-making will change and the incremental effect will continue to be felt, for some time to come.

 

©A_F_R_O_W2018-2019. All Rights Reserved

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Click-through to:-

Pre-order “BROS: After The Screaming Stops” before general digital release on November 12th 2018.

For further information about the film’s cinematic release on 9th November 2018 at www.brosthefilm.com .

For BFI ticket information and updates regarding the London Film Festival Premiere on 17th October 2018.

Further Social Media Links:-

@BrosTheFilm ~ @Fulwell73 ~ @mattgoss ~ @LukeGoss ~ @BFI

#AfterTheScreamingStops ~ #BrosTheFilm ~ #LFF ~ #LondonFilmFestival

 

‘TriForce Short Film Festival’ Tri-umphs!

So here’s the thing

I have had the enduring privilege of being invited to some of the most fascinating events… You’d think, therefore, that I would be used to the build-up…Used to the checklists, verifying the wardrobe, charging-up the tech (and the back-up memory)…But the night before my first ‘TriForce Short Film Festival’, I was a flurry of excitement…a whirligig of anticipation…a New Year bonfire, just waiting to rocket into the a new creative atmosphere!!!

I couldn’t sleep, for all of my pre-performance giddiness…and I loved it! Thus, on all of 5 hours stillness, because I couldn’t drown out my thumping heartbeat, I Fosbury-ed out of bed, with first-day-at-school vigour… utterly ready to get into my prêt-a-porter, Festival mode, chomping-at-the-bit to record this amazing moment!

Destination: BAFTA.

My journey was seamless… The skies were crystal-clear blue, the air, icicle-fresh…the public transport, compliantly on-time! I reached Green Park a full hour before show-time…well, I did say, I was excited, didn’t I?!)…which gave me precious time to indulge in looking at Piccadilly, truly seeing the stunning architecture which our beautiful town has to offer, as well as hearing the vivid, criss-crossing sound-waves of a.m. life.

With such engagement, I might have walked a bit beyond the hallowed building… Okay, so I did(!)… but, on turning back, my curiosity to look above entrances for the cornucopia of Christmas adornments, flounced like scalloped-edged skirting, took my gaze to the BAFTA mask, in all of its glory…

I sent an internal text from heart-to-head, that the passenger-carrier of ‘me’ had successfully transported the passenger of ‘me'(again) to the desired point of disembarkation! (By this time, a little less than an hour early…though, no less full-of-beans!)…

Deep breath in… I entered…

To the left, a welcoming-hall of mirrors and a delightfully well-dressed tree….a stylish elevator and signs, which read like the New Year’s Honours List, to every dedicated floor…and, en face (literally), the face of the BAFTA insignia, announcing you ascend the stairwell-to-an-artistic-new-world… walls scattered with quotes from such luminaries as Mark Rylance (who has since been given the nod with a Knighthood!)…

By now, I would have been a wreck, were it not for the fact that absorbing the winding-wisdom, had much lulled my adrenalin levels, which was a blessing, since the next Crystal Maze-like task was to speak! Having successfully utilised my five seconds and nailed remembering who I was… I took my place within the space, The David Lean Room, to be exact… Loving every square metre of its thespian fabric! It would, categorically, be the perfect theatre of operations…and all ours for one glorious day…and eve!

As if applying the soft luminescent makeup for a perfect headshot, sunlight streamed in from Piccadilly and, as I heard the delectable Minnie Ayres breathe a hearty welcome, was introduced to the amazing TriForce Team and confirmed interview, I began to take baby steps around my new home! No sooner had my exploration commenced, than Jimmy Akingbola appeared, putting paid to my momentary oasis of calm, due to enthusiastic discourse about the event!

Forget the steps, I was like a Jackie-out-of-the-box, and as I rounded the corner, began acquainting myself with partnering organisations, who I quickly ascertained were absolute bedrocks of the Creative Industries. From ‘The Institute of Videography’ to ‘BECTU’ to ‘Creative Skillset’ and ‘Mama Youth Project’, each and every one had, at its foundation, the mission of resourcing creatives to live their dreams and continue to follow them, since there were avenues to facilitate them at every stage. Having gained an invaluable amount of knowledge and as seminar attendees arrived, I could only imagine the personal narratives that they would be taking away with them…

So thought, so announced… Seminar 1 was about to take place….and yes, I was that one who had all of her coloured biros at-the-ready, copiously taking Pantone-esque notes (from the frow, naturellement!)…and, thank goodness for the London Design Biennale Leuchtturm1917, which was still going strong from September, as, with each discussion, it soon became perfuse with a spectrum of words!

What a profound collection of contributions were made by Baff Akoto (Director) and Shola Amoo (Writer/ Director), regarding the ups and downs of surviving as a Freelance Director and the journey of funding a feature, from Camille Gatin (Producer), Dionne Walker (Writer/ Producer), Kristen Irving (BFI Development Executive)… Each session urging listeners to know their identity as film-makers and look to cast their creative nets as widely as possible, in order to catch the necessary finances!

Interspersed were all shortlisted films and finalists, themselves, pockets of dynamism and unswerving examples of artists (in front and behind the camera) who knew exactly who they were and what their objectives were meant and made to be. In the collective time of less than a full-length feature, attendees became audience members, taken on evermore perpendicular emotional and visual Big Dippers!

Amongst the awesome entries were ‘Take The Chocolate (Don’t Give Up)’, which was a charming window-into-the-world of sharing and caring, between children, whilst ‘Harriet and the Matches’ was a marvellous, if not subliminally disturbing, combination of animation and reality! ‘I Believe In Pink’ caused universal intakes of breath, on observing the painstaking tattooing of the lips of Lagos men in the most fuschia pink hue, so as to be socially accepted… ‘The Dead Sea’ evoked raw tears and anger in many (including myself), as we witnessed, in stark detail, the sheer, inhumane cruelty of migrant detention centres… The poignancy of ‘Glow’, told through the lateral-thinking of four best friends, who devise a way to take the cancer-stricken member of the group to see the Aurora Borealis, meant film and title were bound in cinematography and significance. The final three would go on to win ‘Non-Scripted’, ‘People’s Choice’ and ‘Best of the Fest’ Awards, respectfully…and deservedly so!

Whilst the last seminars covering walking-the-walk of diversity and working across both Film and TV genres ensued, I had left the fabulous screening room and was back at home-base, in order to interview Minnie and Fraser about the entire venture. Each wonderfully complemented the intel of the other – she, with the latest news and live stat updates, that they had exceeded the previous year’s attendance figures, he, regaling the deeply intense desire to be ‘an experience company’ and what that would entail as time went by…. They dovetailed seamlessly, not only as integral parts of the TriForce Team, but also, as an incredibly inspiring creative couple.

On that note, as members of the daytime schedule flooded back in, I absorbed the wave of anticipation for what was to come, before heading off to Mayfair, to collate, pontificate, ‘check the gate’ (which was good!) and make ready the next slates for scenes two and three, namely, the Awards Gala and Afterparty at Century, Soho!

***

Past midnight…(and then some!)… I emerged from the club, having danced one of the coolest ‘Electric Slide’ formations in a lo-o-o-o-ng time, completed the Mannequin Challenge, held lively chit-chat with an assemblage of artistic brilliance and laughed until I cried with them, too!

In any other situation which leaves me speechless, ‘no words’ would be my chosen phrase. However, I had been veritably embraced by them, and substantially more, during such felicitous hours… That being said, I’ll leave the summation, in part, to Actor/ Director, Xavier Dolan, who says, ‘Filmmaking is something you think alone, but do together’*…

…and complete it by declaring that ‘The TriForce Creative Network’ undoubtedly proves that theory and is ‘Helping People Happen’ by, relentlessly, doing just that!

©A_F_R_O_W2017-2019. All Rights Reserved.

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Visit TriForce Creative Network for further information about:-

TriForce Short Film Festival ~ TriForce Monologue Slam ~ TriForce Writer Slam ~ TriForce Productions

Visit the following TFSFF/ Industry Expo Partners for more information about their respective organisations:-

BECTU

THE INSTITUTE OF VIDEOGRAPHY

CREATIVE SKILLSET

MAMA YOUTH PROJECT

NATIONAL FILM AND TELEVISION SCHOOL

HIIVE

SHINE MEDIA

*Quote source: CNN Masters At Work 02/12/2016

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Fervent Afrow-Appreciation to all at TriForce and Premier PR for giving me the opportunity to partake in this truly life-changing experience!